“In its ineffable slenderness,the Veil exerts only afleeting impact on theskyline, a thin membranewhich echoes the finelayers of its facade.”Edwin Heathcote, Architecture & Design Critic, Financial Times
Introduction
1. The influences
Shaped by place
Shaped by nature
Shaped by culture
2. The concept
From the desert
The transversal space
Behind the veil
Oasis in the sky
Oasis in the ground
3. The architect
RCR Arquitectes
by Edwin Heathcote
4. The patron
Muraba Properties
Introducing Muraba Veil—a new icon rising 380 meters above Dubai’s skyline. Defined by architectural clarity and elevated restraint, it’s a project designed not to impress loudly, but to resonate deeply. With just 131 ultra-private residences, Muraba Veil offers a rare combination of scale, space, and serenity in the heart of the city.
Every residence embraces dual perspectives: the ever-changing waters of the Arabian Gulf and the iconic silhouette of the Burj Khalifa Districg. Soaring ceiling heights (from 3.2m to 7.65m) frame living spaces flooded with natural light, expressing a calm, meditative atmosphere.
Key Details:
• Starting from AED 13M
• Only 131 residences
• Tower height: 380 meters over 73 floors
• Ceiling heights from 3.2m to 7.65m
• Completion: Q4 2028
• Freehold ownership
• Spectacular dual-aspect views: Arabian Gulf + Burj Khalifa
• Payment Plan: 50 / 50
• Service Charges: AED 38/Sq Ft
Availability & Pricing:
⚫️ 2-Bed Residences (from 4,000 Sq Ft) — AED 13M – 18.2M
⚫️ 3-Bed Residences (from 5,000 Sq Ft) — AED 15.3M – 23.9M
⚫️ 3-Bed Pool Residences (5,000 Sq Ft) — AED 31.2M – 36.1M
⚫️ 3-Bed Duplex Pool Residences (8,000 Sq Ft) — AED 72.8M
⚫️ 4-Bed Pool Residences (from 10,000 Sq Ft) — AED 47M
⚫️ 4-Bed Full Floor Pool Residences (15,000 Sq Ft) — Price on Request
⚫️ 4-Bed Duplex Pool Residences (15,000 Sq Ft) — Price on Request
⚫️ 5-Bed Penthouse (25,000 Sq Ft) — Price on Request
For the full brochure, detailed floor plans, or to schedule a private tour of the Muraba Veil gallery, feel free to connect.
Natasha ☀️
Muraba Veil is a building born of the desert.It rises from the dunes with nature fully in its grasp, up intothe sky above the UAE’s most cosmopolitan and futurefacing city, and conjures a sanctuary of fresh water andlush vegetation on every floor.A shimmering tower, awe-inspiring yet understated,the building presents a daring, stop-you-in-your tracksspectacle, even in Dubai’s supercharged architectural vista– a structure whose profile and appearance could onlybe achieved by the very latest design and engineering.And yet the influences and aspirations that shaped theVeil have their origins in domestic architecture that iscenturies old, and which sought to meet basic humanneeds for refuge, security, privacy and a close connectionto nature.
The Veil is a sanctuary for this place and this time.It offers the opportunity to live a serene, private, perhapsmeditative existence floating high above the city, wherethe sense of space and freedom is extended by terracesof draped greenery and dappled shade on either side ofthe main, uninterrupted living space, to the sky beyond.This is less a place to live; more, somewhere toexperience a unique personal universe. A retreat fromthe instant, the material and virtual, this private world isconceived as an oasis for the mind as well as the body:where senses are heightened and time slows; where eventhe simplest, soothing sensations – stepping into a pool,the evening light through foliage – raise the spirits andstill the mind.Wherever one goes in the Veil, the impression is ofbeing simultaneously swathed and shielded from externalheat and commotion, and liberated by space. It’s as trueof the deep, high, wide rooms and terraces of individualresidences as it is of the Veil’s other world, the cavernoussubterranean spa, restaurant, lounges, ‘oasis’ andamphitheatre, hidden beneath a vast dune-like carapaceat the foot of the tower.This is the Veil, seen and not seen.
For its most ambitious project to date, Muraba chosea high-profile site: the geographic focal point of Dubai,where the city’s central waterway, the Dubai Water Canal,is crossed by its main transport artery, Sheikh Zayed Road.Across the highway lies Downtown Dubai anda cluster of towers clamouring for attention, includingthe world’s tallest, the Burj Khalifa. In all other directions,the neighbours are no more than a few storeys in height,enabling wide, sweeping views of the Gulf. JumeirahBeach is just a ten-minute bike ride or a 30-minute walkaway along the canalside.In shape, the plot approached a right-angledtriangle, with the longest side of around 160m curvingslightly alongside the canal. But in the gestation ofthe project, the spatial and physical challenges ofaccommodating residences, public spaces, parkingand services on an unconventional site were put to oneside while RCR Arquitectes allowed the location’s uniquecharacteristics to guide its initial concepts.From the outset they were encouraged to feel andcapture the ‘genius loci’, or spirit of the site – to alloweverything that made the place unique, from thelandscape and climate to Emirati culture, to shape theexperience of the building.RCR and Muraba not only understood that this wasan opportunity to place a marker in the sand for all Dubaito see: a solitary, unmistakable landmark, at arm’s lengthfrom the 24-hour excitement of Downtown Dubai. Mostimportantly, it was a chance to create homes that werespecific to Dubai, that belonged there and nowhere else,and that elevated the experience of living there to a levelbeyond anything else in the city.
The site of the Veil (represented inthe architect’s sketch by a red dot)enjoys a location that is advantageouson a number of levels.Within Dubai, it lies at the transitionpoint between the lower and theupper city. At ground floor it relatesstrongly to the water and the life ofthe riverbank, while at the highestlevels it dominates the landscape andthe nearby coastline. And its southwest aspect allows the experience ofsunset over the Arabian Gulf.Shaped byplaceA.
SHEIKH ZAYED ROADB. FINANCIAL CENTRE ROADC. DUBAI DOWNTOWND. BURJ KHALIFAE. AL JADDAF DUBAI CANALF. DUBAI WATER CANALG. BEACHH. ARABIAN GULFI. SAFA PARKJ. EQUESTRIAN FACILITIESK. AL KHAIL ROAD
“Muraba Veil suggests astriking, unusual and originalarchitecture which is bothinventive and reflective… It isa realisation of an architecturaldream of a skyscraper whichyearns for subtlety, usesshadow as an architecturalmaterial and which eases itselfgently into the sky.”
The Veil presents homes that arespecific to Dubai, and that elevatethe experience of living here toa level quite beyond anything elsein the city.
In common with all of RCR Arquitectes’ buildings, theVeil is strongly connected to the unique characteristicsof its location, beginning with the landscape and naturalforces that have shaped it. Essential to the conceptionand precise siting of the Veil was a series of studies ofsunlight and wind at the location throughout the year.RCR envisaged a tall, slender tower in which eachresidence could occupy the entire width of the building,with living space screened from direct sunlight by beingset back from the building edge, screened on both sidesby a generous depth of outdoor terrace space.The solar analysis, which tracked daily movementsof the sun relative to the site, confirmed the viability ofthe concept: the interiors would remain in shadethroughout much of the day in the summer, protectedfrom heat gain.They could also be cooled naturally. Aligned on anorth-west to south-east axis – parallel to rather thanfacing the site’s strongest winds – the Veil harnesses thecooling effect of natural breezes through residences.This form of natural ventilation reduces the reliance onair-conditioning, and in turn the energy consumption ofthe building.
“The Veil is sheltered bya mesh facade inspired bycustoms and traditions in ourculture. It has a veil you candraw or not draw, permittingyou to be seen or not seen.”
The 3-Bedroom Pool Residence Ultraas well as the duplex 3-BedroomResidence balance interior spaces withhybrid spaces.The arrival introduces an air ofcalm and serenity, and is completelyprivate, accessible only to residentsof the property
To reimagine the kind of homes the Veil mightaccommodate, RCR and Muraba sought inspiration notfrom the latest comparable developments around theworld, but from forms of habitation that have developedin the region they were building in, for centuries.The traditional Middle Eastern home evolved tooffer a cool, comfortable, private refuge from the harshworld outside. The heart of the house was the courtyard,an indoor/outdoor space that allowed the family togather among gardens and water features. Largerhouses included galleried walkways around the centralspace, offering a place to enjoy natural shade andfiltered sunlight. And inside the house, rooms were keptcool by natural breezes passing through openings in thewalls on both sides.Like the diaphanous layers of protective fabric usedto create elegant Bedouin garments and tents, this‘architecture of the veil’ revealed little to the worldoutside, but provided a gradient of progressively moreprotected, private spaces that was perfectly adapted tothe Middle Eastern climate.The idea of a layering of spaces and entrances,from the desert heat through shaded gardens towardsthe welcoming, private comfort at the heart of the home,is a principle that has had a profound influence on thedesign of the Veil.
Courtyard houses of the kind built inthe Middle East for centuries evolvedas a way of offering families privacy,comfort and generous space tocongregate and relax.The inner courtyard, open to the sun,was a space for gardens, sculptureand water features. Around thiswas often built a shaded colonnade,a kind of hybrid indoor/outdoor spaceoffering shade and room to walk,talk and play.The interiors of the house werefurther shielded from the sun, withwindow openings on both sides toallow breezes to enter and coolthe rooms.
In Muraba Veil, the courtyard housemodel of concentric layers of shadeand protection is transformed intoa linear one.On both sides of the residence,hybrid spaces of water and greeneryprovide a buffer zone between thecentral living area and the outer,exposed edge of the space.
The Veil’s 5-Bedroom Residence is The concepta spectacular property, occupyingtwo entire floors of the buildingand featuring double-height spacesthroughout much of its length, withceiling heights of 8.9m.Terraces, pools and tumblinggreenery dominate the side ofeach property facing the Gulf.Elsewhere can be found a gym,library, TV room and outdoor andindoor living rooms, dining roomsand kitchens.Everywhere, the boundary between indoor and outdoor isentirely adjustable.
The Veil is a landscape that emerges from the desertinto the air. The foot it places on the land is almost buriedbeneath the sand. Here are concealed all the publicspaces and amenities that would conventionally becollected above ground level: a giant oasis sheltering inthe ground, where there is shade, refreshment andphysical restoration. In the sunshine, oblivious perhaps,pedestrians criss-cross a public plaza, back and forthbetween the Veil and the canalside walk.At ground level, it’s a landscape of human scale,rooted in the desert and connected to the terrestrialworld. In contrast, the landscape that rises above it isan escape from the earth. For every person with accessto it, this floating world is less physical, more ethereal:all there is, besides you and the space you call home,is the sky.
At the foot of the Veil, where theexperience is of earth and water,the landscape is of a human scale.Ascend the building and thelandscape changes to one that islight, aerial and otherworldly.
At ground level, a landscape ofpools and tall palms signals whatlies beneath. All of the amenitiesthat would normally be found in thepodium of a residential tower hereform an underground oasis, withspaces and amenities for relaxationand restoration.
Outside: the sky.The ultra-slender form of the Veil allows eachproperty to span the entire depth of the building, front toback. On both sides, your only neighbour is the pure bluesky: the southern sky on one side of the home and the northern sky on the other. And all around, spectacular,uninterrupted views of Dubai and the Arabian Gulf.Welcome to the ‘transversal’ space. This idea drawson the design of the traditional Arabian courtyard home,in which the building was just one room deep in all places. Every ground-floor room was connected to andaccessible from the courtyard – the protected, privateexterior space at the heart of the home.The Veil revives this ethos. Deep, room-size terracesrun the length of every property, on both the southfacing side and the north, providing access to shade,greenery and fresh, natural ventilation to every internal The transversal space and every person.spaceEach Veil property spans the fullwidth of the building, creating atransversal space with views for everyresident across Jumeirah on one side,and Downtown Dubai on the other.
A. DUBAI WATER CANAL
B. CANAL WALK
C. DUBAI
The 4-Bedroom and duplex 4- and
5-Bedroom Residences include interiorand exterior
living and dining rooms
,a library and office, and a bathing pool
with sweeping views to the Gulf from
a height of around 380m.
The Veil presents a homeas a refuge, blendingexterior and interiorin generous spaces, withdiscreet and culturallysensitive furnishings inharmonious composition.”
This architect’s sketch illustratesdiagrammatically how the Veil offersexclusivity and protection. Fromground level (A) and the privateaccess and entrance terrace (B, C),residents enter their residence (D)and hybrid spaces (E) – a coolsanctuary of natural greenery,rippled surfaces and shade fromwhich to enjoy the panoramas ofDubai (F) and the Gulf (G).
The Veil borrows from a key principle that underliesthe design of traditional Arabian homes, of a ‘gradient’of spaces and conditions that provide relief from thedesert climate.At ground level, with shaded courtyards, greeneryand galleries, it’s a concept that’s straightforward toachieve; many storeys up in the air, it’s a very differentmatter. RCR proposed the idea of the ‘hybrid space’:a climate cushion between the internal living spaceand hot Emirati sky running the length of each residenceon both sides. Just like the traditional courtyard, thehybrid space is open to the sky and utilises screens ofvegetation and pools of water to temper the air asit enters, instilling an atmosphere of shade, calm andfreshness.This is a revolutionary concept, clothing the buildingnot in an impenetrable casing of metal and glass butin a covering that is soft and permeable – a veil drapedover the entire building. A more direct architecturalreference point is the ‘mashrabiya’ of Islamic culture –the ornate screens that decorated the balconies ofArabian houses and allowed both protection from thesun and views onto the outside world. In the Veil, thecombination of greenery and a movable mesh facadeallows occupants to control the degree of visibilityinwards and outwards.Just as revolutionary, though, is the directconnection felt with nature and the outside world atgreat height, and the feelings of comfort, protection,wellbeing and liberation that are hard to find anywhereelse, this far from the ground.
The Veil is in harmonywith the elements,soothing the mind andnurturing the spirit withwater, plants and shade.
In thinking about how life in the Veil might feel or beexperienced, it is best to discard thoughts or memoriesof living in conventional tall buildings.The Veil removes the shackles. Here, the high-risehome is no sealed, air-conditioned box. The experienceof a Veil residence is closer to a villa and garden abovethe clouds: a light, tall, open space where warm breezesbrush the skin and doorways open onto verandasshaded by fresh, green foliage. A pavilion furnished incomplete harmony with the architecture and ambience,worthy of sitting alongside those by Johnson, Miesvan der Rohe and other modern masters, if it wereon the ground.For this is a pavilion not anchored on stilts, butsuspended in air. An oasis in the sky. A floating island ofcalm and serenity, freed from the heat and hustle of thecity streets. A refuge from the modern world, a placeto reconnect with loved ones and reawaken the senses.The dappled sunlight, through foliage or a screen oroff the surface of a pool. The scent of garden flowers.The cool of marble on bare feet. The sound of laughtercarried through wall-less rooms.Everything here – the materials, the design, theattention to detail – speaks of a dedication to the ideaof sanctuary and wellbeing. And it’s a dedication thatcan be found in equal measure in the public areason the Veil’s uppermost levels. Here, the sense of a cool,green refuge extends across the expansive lounges,terraces, dining areas and the multiple connectedbathing pools, open to all. This is a new destination forDubai – a place of escape and sensory indulgence,far, far above the city
Highest in the sky, a vast chamberof rippling light and shadow, of epicvolumes and intimate corners, withsunlight filtered through mesh screens.Connected pools, shaded terraceswith tumbling greenery, with bars anddining nearby.
This is a new destination for Dubai –a place of escape and sensoryindulgence, far, far above the city.
As above, so below. The sense of a cool, tranquilhideaway distanced from the outside world is notconfined to the aerial pavilions enjoying Dubai’s distanthorizons. Hidden beneath the coral-like canopy thatserves as the public plaza between the tower and thecanal is an oasis of calm, refreshment and renewal.Immediately below, an underground wadi, palmtrees and sunlight filtered through the porous roofprovide the perfect retreat from baking pavements.In the magical surroundings of a cavernous spa witha 12m-high ceiling, a giant pool and baths restore wearylimbs. Steam rooms, saunas, treatment rooms andgyms host workouts and wind-downs.All around are dappled shade, pools of light, treesand greenery: a many-chambered sanctuary seeminglysculpted from stone by nature itself to soothe the mindand nurture the spirit.
RCR’s early design concepts removedthe traditional ‘podium’ of lowerfloors upon which most towers stand,housing public areas and amenities.The spa, gyms, pools and loungeswere placed in cool, atmospheric,cavern-like rooms below ground, inwhich filtered light and the soundof water fill the air.
A many-chambered sanctuaryseemingly sculpted by nature itselfto soothe the mind and nurturethe spirit.
The Veil is more than somewhere to live. More thanarchitecture, or aesthetically pleasing surroundings. It ismore than a Dubai residence. It is an elevated experienceof home. From ground floor to penthouse, a deeplyconsidered response to place, time and culture that hasno right to be anywhere else in the world but here.That harmony with its surroundings demandsa unique way of living. A state of mind that can beexperienced here, and only here. A philosophy of beingthat must be entered into with a whole heart, or not at all.Be at one with the Veil, from head to toe.
RCR Arquitectesby Edwin HeathcoteArchitecture & Design Critic,Financial Times
The designers of the Veil, RCR Arquitectes, arebased in the small town of Olot in the far northeast of Spain, and surprised the world when theywere awarded the Pritzker Prize, often referredto as architecture’s Nobel, in 2017. The threepartners, Rafael Aranda, Carme Pigem and RamonVilalta, have worked together for 30 years in thetown where they grew up, developing an almostsymbiotic relationship with each other and also,critically, with the landscape and the architectureof the region. If their success in architecture’s mostesteemed prize came as a surprise, it was perhapsbecause they had mostly worked around and neartheir hometown, developing an understandingof the historic structures, the topography and itsphysical and cultural landscapes. And yet RCR’sarchitecture, which builds on a classical modernistlanguage, from Ludwig Mies van der Rohe toRichard Serra, is as universal as their roots arelocal. It is precisely because of their determinationto immerse themselves in the particularities ofplace, the physicality of material and the mannerof inhabitation and use over time that they are ableto alight elsewhere and absorb the difference, torevel in the shifts in culture and use and develop anapproach which is almost paradoxically both hyperlocal and universal. RCR refer to universal values:they talk about beauty, rootedness and atmosphere.Their aim is not to replicate a branded architecturebut to apply their tools and skills to the site, absorbthe genius loci and translate it into an architecturewhich is both of the place and of the wider world.They have avoided the trap of starchitecture,working instead in a quiet, philosophical manner,unfazed by success and remaining rooted firmly inOlot. Their own office is in a former foundry withinwhich they have created a calm, shady interiordefined by the raw industrial surfaces of the oldstructure and new materials which echo theunselfconscious finishes of the workshop ratherthan the refined atelier. Light and shadow aretreated as essential materials in the creation ofspace and the shift from the solidity of the historicwalls to the dematerialised glass giving ontoa nature which appears to be clawing back thesurfaces is almost spiritual in its contrast of thesolid and the diaphanous.
Their work embraces private houses and publicbuildings, civic spaces, museums and schools.Always striking yet nevertheless contextual, it isan architecture which seeks not confrontation butcontinuity, between traditions of place and time,of historical and modern languages. It manages tobe both theatrical and restrained, intriguing andrelaxing. It is not design for design’s sake but a wayof embracing the climate, the view, the landscapeand the culture and manifesting that confluence inan architecture of remarkable richness and charisma.Muraba VeilThe Veil is RCR’s response to climate and culture,to place and possibilities. Set into a fluid landscapewhich echoes the shifting sands of the desert andthe caves eroded by the wind and the water, this is anarchitecture apart.Dubai is a globalised city and its skyline reflectsinfluences from other cultures and climates. Butits architecture has mostly been transplantedfrom elsewhere with relatively little attention paidto its particular conditions, climatic or cultural.The skyscraper is the apogee of that importedarchitecture, a typology transplanted from Chicagoand New York and adapted very little.In the Veil, RCR are attempting to acclimatisearchitecture to this particular place. Situated betweenthe water and the desert, the sand and the sky, thetower addresses the sun and the wind, attemptingto work with rather than always against them.It is a design that is as much draped as it is built.The Veil is a soft skyscraper, a tower slowly revealedbehind a series of skins. If our image of architectureis of solidity and mass, hard edges and surfaces, thisis something very different.It learns lessons from traditional construction, fromthe mashrabiya oriel windows, the familiar piercedbays which protrude to catch the breeze whilemaintaining privacy. And it takes its cue from themodel of the Arabian house which reveals itselfthrough subsequent layers before finally revealingthe inner courtyard with its shade and its fountains,the cool, communal and convivial centre of thedwelling, the representation of a paradise on earth,apart from but always also a part of the city. As inthose traditional houses, the filtering, shading anddappling of light is fundamental, the immaterialityof light and shadow being transformed into amanifestation of architecture with all its implicationsof physicality. Screens, veils, meshes, blinds andshades each mediates the strong sunlight, creatinga panoply of effects and transforming the interiorsas the position, strength and elevation of the sunchange with the seasons and the times of day.Positioned so that all residences have the sameviews, of the sun setting over the ocean; this is anarchitecture engineered by the solar path.
Always striking yetnevertheless contextual,it is an architecture whichseeks not confrontationbut continuity, betweentraditions of place and time,of historical and modernlanguages.
The tower meets the ground in a contrastinglandscape of both fluidity and solidity. The organic,swirling ground plan conceals a landscape of leisurecarved into the rock. The spaces below groundappear as caverns, grand communal spaces formedby a confluence of water and time, appearingto erode as much as create. The great vaultedspaces of the pools and gym give the impressionof quarries, spaces set into the solid landscapeincreasing the contrast with the diaphanous natureof the tower, a rocky base for an ethereal structure,with teardrop-shaped pools above ground softeningthe transition from the city to the waterfront.This is the first foray of one of the world’s mostintriguing, rigorous and consistent architecturalpractices into the world of the Gulf and theskyscraper. It should be an unmissable experimentin the mixing of a cocktail of architectural cultures,the restrained, understated minimalism of their localwork transplanted into the flashy world of a Dubaidominated by look-at-me architecture and globallybranded identities.
The Veil suggests a striking, unusual and originalarchitecture which is both inventive and reflective,which looks to the future and to a past in whichearly modernists like Mies van der Rohe proposedthe dematerialisation of the tower, the virtualdisappearance of its skin as a presence. It is arealisation of an architectural dream of a skyscraperwhich yearns for subtlety, uses shadow as anarchitectural material and which eases itself gentlyinto the sky.
According to Ibrahim Al Ghurair, property is notan end in itself, but the means to a greater, morenoble end: that of creating an ‘art of living’. Muraba,founded by Al Ghurair in 2014, is the rarest of realestate companies. Its mission has nothing to dowith year-on-year growth or shareholder dividendsand everything to do with Al Ghurair’s great passion– creating breathtaking, life-enhancing works ofarchitecture that relate powerfully to the culture andheritage of their location.The kind of quality Muraba seeks demands time,relentless focus and the utmost consideration.It has chosen to work in one part of the world –Al Ghurair’s home country of the UAE. It works inclose collaboration with just one architectural studio,the Pritzker Prize-winning RCR Arquitectes. And itworks at its own pace, considering every element todeliver buildings of the highest quality.Muraba Dia, completed in 2017, deliveredcontemporary architecture that was, in the contextof Dubai, almost subversive in its commitment tounderstated elegance and exceptional craftsmanship.The attention to detail, from the ingenious spatialarrangement of floors and apartments to thematerials and design of the smallest fixture, aspiredto enable an experience of architecture that was ona different level from that of the building’s neighbourson the Palm Jumeirah.RCR, in creating Muraba Dia, have spoken of creating‘a space where people can “go beyond”’, and ‘a refugewhere they will be happy and where there is peace’.They have talked of architecture that recognises ‘thevalue of the rain, of the sun, of the wind, of the sky,of the earth, of all the elements that form nature’.This is what binds the architects to Muraba: a sharedaspiration to create buildings that work in harmonywith their natural environment, that capture thetimeless spirit of a place, and that allowa unique, heightened sensation of that place.Muraba and RCR have since worked togetheron other projects: Al Ghurair’s home has beencompleted; a scheme for an extraordinary wellnesscentre in the Sharjah desert is in the pipeline. Thechallenges of these projects have deepened the trustbetween client and architect. With every project,each has emboldened the other.Without this mutual, apparently impregnableconfidence and respect, the Veil would never havegot beyond a sketch. The project represents theculmination of a marriage of minds, and speaksvolumes of the courage each instils in the other.‘The Veil has not been devised for the sake of it,’ saysAl Ghurair, ‘but because it is the natural next stepin Muraba and RCR’s relationship. It is the right thingfor us to do.
Donated by Ibrahim Al Ghurair andhis family to their local district in Dubaiand designed by RCR Arquitectes, theDar Al Marefa School provides childrenand staff with a visionary campusdesigned to stimulate discovery,learning, growth and creativity forstudents of all ages.
“A cheerful, lively hive in asetting where everything iswaiting to be discovered.”
Architecture: RCR ArquitectesClient Advisory Service: ARUPEngineering & Local Architect of Record: WSPCGIs: MarchDesign: PentagramText: Michael EvamyPrinting: Gavin MartinAll rights reserved. No part of this publication maybe reproduced, stored or transmitted in any formby any means without prior permission.© Muraba Properties 2024muraba.ae
